|L. v. Beethoven||Fidelio||Jaquino|
|B. Binder/P. Singer||In 80 Tagen um die Welt||Detective Fox|
|H. Birtwistle||Punch and Judy||Lawyer|
|B. Britten||The Prodigal Son||Younger son|
|J. Haydn||Orlando Paladino||Pasquale|
|J. Heggie||Dead Man Walking||Father Grenville|
|F. Lehár||Frasquita||Sancho, Philippe|
|R. Leoncavallo||Pagliacci||Beppe, Arlecchino|
|F. Loewe||My Fair Lady||Freddy|
|G. Mancusi||In Gottes Namen||2. Künder|
|E. Milch-Sheriff||Baruchs Schweigen||Bruder|
|C. Millöckner||Der Bettelstudent||Symon|
|W. A. Mozart||Die Entführung aus dem Serail||Pedrillo|
|J. Offenbach||Orpheus in der Unterwelt||Pluto/Aristeus|
|E. N. von Reznicek||Benzin||Funker|
|D. Shostakovich||The Nose||Ivan (Kovalyov’s valet), Piotr Fyodorovich|
|S. Sondheim||A Little Night Music||Mr. Erlanson|
|R. Strauss||Ariadne auf Naxos||Tanzmeister|
|G. Verdi||La traviata||Gastone|
|R. Wagner||Das Rheingold||Mime|
J. S. Bach, Weihnachtsoratorium – Evangelist
J. S. Bach, B Minor Mass – Tenor
R. Keiser, Markuspassion – Evangelist
J. Haydn, Die Schöpfung – Tenor
J. Haydn, Die Jahreszeiten – Lukas
F. Mendelssohn Bartholdy, Symphony No. 2 in B-flat major op. 52, “Lobgesang” – Tenor
Tenor Lorin Wey continues as an ensemble member of the Theater Bielefeld for the 2018/19 season. His upcoming engagements at the house include Freddy in a new production of My Fair Lady, Gastone in a new production of La traviata, Monostatos in a revival of Die Zauberflöte, Father Grenville in a new production of Jake Heggie's Dead Man Walking, and Pluto/Aristeus in a new production of Orpheus in der Unterwelt. In October 2018 he sings a recital of lieder by Beethoven and Haydn at Bielefeld's Rudolf-Oetker-Halle, and appears in a further two concerts at the same venue in March 2019: as the tenor soloist in Bach's B Minor Mass with the Bielefeld Philharmonic, and in a chamber concert of music by Bach and Schütz.
The 28-year-old Swiss artist joined the ensemble of the Theater Bielefeld at the beginning of the 2017/18 season. In his first season at the house, he sang Mime in a new production of Das Rheingold, Monostatos in Die Zauberflöte, and Roderigo in Verdi's Otello. He also performed the roles of Pasquale in Haydn's Orlando Palando and Funker in Emil Nikolaus Reznicek's Benzin, a Weimar-era Zeitoper which only received its first performances during the last decade. In March 2018, Lorin appeared with the Bielefeld Philharmonic as the tenor soloist in Mendelssohn's “Lobgesang” symphony.
In 2016/17, he sang Meletos in Ernst Krenek’s dodecaphonic opera Pallas Athene weint at the Neue Oper Wien, and appeared as the Prince in the European premiere of Cinderella at the Casino Baumgarten in Vienna. His performance in this opera by the British child prodigy Alma Deutscher subsequently featured in the TV documentary “Finding Cinderella”, which was broadcast on the BBC in summer 2017. In June 2017, he made his debut as the Tanzmeister in a David Hermann production of Richard Strauss's Ariadne auf Naxos at the Opéra National de Lorraine in Nancy, France.
In recent years, Lorin has appeared in several modern and contemporary operas. With the Neue Oper Wien, he performed the role of the Lawyer in a 2014 production of Sir Harrison Birtwistle’s Punch and Judy, and Kovalyov's valet Ivan in Shostakovich's The Nose in 2015. His debut at the Stadttheater Fürth took place with the role of Bruder in Israeli contemporary composer Ella Milch-Sheriff’s chamber opera Baruchs Schweigen. He has also performed three world premieres: as tenor soloist in Florian Reithner’s Critical Mass at the Jesuitenkirche in Vienna in 2013, as Second Announcer in Guido Mancusi's opera In Gottes Namen at the International Opernwerkstatt Schloss Laubach in 2014, and as the Evangelist in Guido Mancusi’s Saint John’s Passion at the Kalvarienbergkirche in Vienna in 2016.
Lorin is a regular guest soloist at the Bühne Baden near Vienna, having appeared as Mr. Erlanson in Stephen Sondheim’s A Little Night Music in 2015, as Detective Fox in Beppo Binder’s In 80 Tagen um die Welt in 2015, and as Sancho/Philippe in Lehár’s Frasquita in 2016.
In addition to opera, Lorin is an active concert performer in music of all eras and styles, and especially the works of J. S. Bach and the Viennese classical repertoire. He has regularly been a tenor soloist in Vienna's grandest churches, including the Augustinerkirche, Jesuitenkirche and Imperial Chapel.
The young tenor Lorin Wey was born into a Swiss-American family of musicians in Bern, Switzerland in 1990. After beginning his musical education with the Vienna Boys’ Choir and completing his Bachelor of Arts in Musicology with distinction, he studied solo singing as well as song and oratorio with Gabriele Sima and Elena Filipova at the Music and Arts University of the City of Vienna.
Photo Credit: Neue Oper Wien - Armin Bardel
Soprano Beate Ritter and tenor Lorin Wey make their house and role debuts in Richard Strauss’ Ariadne auf Naxos at the Opéra National de Lorraine in Nancy singing the roles of Zerbinetta and Tanzmeister on June 6, 2017!
The production is conducted by Rani Calderon and directed by David Hermann.
Further performances: 8./11./13./15 June 2017.
Tenor Lorin Wey and Baritone Kristjan Johannesson appear in Ernst Krenek’s Pallas Athene weint with the Neue Oper Wien at the Museumsquartier, Vienna. The production, which is conducted by Walter Kobera and directed by Christoph Zauner, opens on Tuesday, 25th October 2016 and will run until Saturday, 29th October 2016.conitnue