|L. v. Beethoven||Fidelio||Jaquino|
|B. Binder/P. Singer||In 80 Tagen um die Welt||Detective Fox|
|H. Birtwistle||Punch and Judy||Lawyer|
|B. Britten||The Prodigal Son||Younger son|
|F. Lehár||Frasquita||Sancho, Philippe|
|R. Leoncavallo||Pagliacci||Beppe, Arlecchino|
|G. Mancusi||In Gottes Namen||2. Künder|
|E. Milch-Sheriff||Baruchs Schweigen||Bruder|
|C. Millöckner||Der Bettelstudent||Symon|
|W. A. Mozart||Die Entführung aus dem Serail||Pedrillo|
|D. Schostakowitsch||Die Nase||Iwan, Pjotr Fjodorowitsch|
|S. Sondheim||A Little Night Music||Mr. Erlanson|
|R. Strauss||Ariadne auf Naxos||Tanzmeister|
J. S. Bach Weihnachtsoratorium – evangelist
R. Keiser Markuspassion – evangelist
J. Haydn Die Schöpfung – tenor
J. Haydn Die Jahreszeiten – Lukas
In the 2016/17 season, 26 year-old Swiss tenor Lorin Wey will be heard as Meletos in Ernst Krenek’s dodecaphonic opera “Pallas Athene weint” with the Neue Oper Wien under the direction of Walter Kober, and also appears as the Prince in the European Premiere of the 10-year old (!) Alma Deutscher’s Opera, “Cinderella” at the Casino Baumgarten in Vienna. He will also make his debut in June 2017 as Tanzmeister in a David Hermann production of Richard Strauss' Ariadne auf Naxos at the Theatre National de Lorraine in Nancy, France.
In the past years, Wey has taken part in several contemporary compositions: repeatedly with the Neue Oper Wien (2014 as Lawyer in Sir H. Birtwistle’s “Punch and Judy”; 2015 as Iwan in D. Schostakowitschs “Nos”) he debuted at the Stadttheater Fürth/D (Bruder in E. Milch-Sheriff’s “Baruchs Schweigen”) and sang three World Premiers (2013 as Tenor soloist in F. Reithner’s “Critical Mass” in the Jesuitenkirche in Vienna, 2014 als 2. Künder in the Opera “In Gottes Namen” by G. Mancusi, as part of the International Opernwerkstatt Schloss Laubach/Hessen, 2016 as Evangelist in G. Mancusi’s “Saint John’s Passion” in the Kalvarienbergkirche in Vienna).
He is also a regular guest soloist at the Bühne Baden (2015 as Mr. Erlanson in S. Sondheim’s “A Little Night Music”, and as Detectiv Fox in B. Binder’s “In 80 Tagen um die Welt”; 2016 as Sancho/Philippe in F. Lehár’s “Frasquita”).
In addition to opera, he is – aside from his active concert work, which comprises works of all eras and styles, Lorin is especially at home with the repertoire of J.S. Bach and the Viennese classical repertoire – and regularly performs as the tenor soloist in the most renowned churches in Vienna (Augustinerkirche, Jesuitenkirche, Imperial Chapel, among others).
The young tenor Lorin Wey was born into a Swiss-American family of musicians in Bern, Switzerland in 1990. After beginning his musical education with the Vienna Boys’ Choir and completing his Bachelor of Arts in Musicology with distinction, he studied solo singing, as well as song and oratorio with KS Gabriele Sima and KS Elena Filipova at the Music and Arts University of the City of Vienna.
Photo Credit: Neue Oper Wien - Armin Bardel
Soprano Sooyeon Lee who recently was awarded the CulturArte Prize at the 2017 Operalia of Placido Domingo makes her debut on Feb 10 as Gilda in a new production of Verdi’s Rigoletto in Oldenburg. Additional Performances: 18 Feb, 10., 28 March, 1., 20., 28 April, 17 Mayconitnue
Soprano Maria Nazarova makes her house debut at Teatro alla Scala in Strauß’s Die Fledermaus singing three performances of Adele on Jan 31, Feb 2nd and 4th.conitnue
Sumi Hwang had the great honor of being invited to sing the olympic anthem to close the opening ceremony of the PyeongChang Winter Olympics on Friday, Feb 9th. The New York Times wrote about her appearance: “Arguably the star of the night, the opera soprano Sumi Hwang helped close the ceremony with her rendition of the Olympic anthem.” Sumi returns to Bonn this week to continue singing performances of Susanna in W.A. Mozart’s Le nozze […]conitnue
Soprano Cecilia Lee appears in the 2018 edition of the SWR Emmerich Smola Prize of Young Opera Stars, and Sonostream.tv will broadcast the concert LIVE HERE on Monday, 20th January 2018 at 7pm CET- Join us!conitnue
Soprano Sumi Hwang makes her role debut as Lauretta in Puccini’s Gianni Schicchi at Theater Bonn on Monday, 1st January 2018.
Further dates: 7/21 January and 4/18 February 2018.
Tenor Alexander Kaimbacher appears in a series of “Salute to Vienna” New Year’s Concerts in in Costa Mesa (29th December 2017), San Diego (30th December 2017) and Los Angeles (1st January 2018).
He is joined by Soprano Katarzyna Kondalska. They are accompanied by the Strauss Symphony of America Orchestra under the baton of Andreas Deák.
For further information click here.
Sopramo Jenifer Lary makes her house debut at Vienna’s Volksoper as Barbarina in Mozart’s Le Nozze di Figaro on 5th January 2018.
Further dates: 9th and 11th January 2018.
Young Russian soprano Maria Nazarova makes a role debut of Fiakermilli in Richard Strauss’ Arabella at the Vienna State Opera on December 14 (additional performances: 18, 21 December) and Adele in J. Strauss’ Die Fledermaus on December 31 (additional perf. 3 Jan), which will be livestreamed by the Vienna State Opera.conitnue
25-Year old baritone Kristjan Johannesson sings the role of Gunter in new adaptation of Wagner’s Ring at Theater an der Wien! Director: Tatjana Gurbaca – Conductor: Constantin Trinksconitnue
Countertenor Matthew Shaw makes a debut at the Deutsche Oper Berlin in the world premiere of Aribert Reimann’s L’Invisible at Deutsche Oper Berlin on October 8, 2017.
The production is conducted by Donald Runnicles and directed by Vasily Barkhatov.
Further performances: 18./22./25/31.October 2017