| COMPOSER | OPERA | ROLE |
| C. Monteverdi | L’incoronazione di Poppea | Drusilla Amor Damigella Valletto |
| F. Cavalli | L’Ormindo | Erice |
| J. B. Lully | Atys | Sangaride |
| A. Stradella | La Circe | Circe |
| A. Scarlatti | Venere, Amore e Ragione | Amore |
| G. F. Händel | Acis and Galatea (HWV49a) | Galatea |
| J. A. Hasse | La Serva Scaltra | Dorilla |
| C. W. Gluck | Orfeo ed Euridice | Amore |
| J. Haydn | L’infedelta Delusa | Vespina |
| W. A. Mozart | Don Giovanni | Zerlina |
| W. A. Mozart | Die Zauberflöte | Pamina |
| W. A. Mozart | Cosi fan tutte | Despina |
| G. Rossini | Il Viaggio a Reims | Madama Cortese |
| E. Humperdinck | Hänsel und Gretel | Taumännchen Sandmann |
| G. Verdi | La Traviata | Annina |
| G. Verdi | Rigoletto | Paggio |
| G. Puccini | Suor Angelica | Suor Genovieffa |
| F. Poulenc | Dialogues des Carmélites | Soeur Constance |
| A. Copland | The Tender Land | Beth |
| P. Glass | La Belle et la Bete | Adelaide |
| A. Charlap | King Solomon and the Bee | Queen Sheba |
| CONCERT | |
| C. Monteverdi | Lamento della Ninfa |
| B. Strozzi | Che si puo far, op.8 |
| B. Strozzi | Lagrime mie |
| B. Strozzi | L’Eraclito amoroso |
| A. Scarlatti | L’orfeo |
| M. P. de Montéclair | Pan et Syrinx |
| L. N. Clérambault | Léandre et Héro |
| A. Vivaldi | Juditha Triumphans (as Vagaus) |
| G. F. Händel | Armida abbandonata, HWV 105 |
| G. F. Händel | La Lucrezia, HWV 145 |
| G. F. Händel | Agrippina condotta a morire, HWV 110 |
| G. F. Händel | Mi palpita il cor, HWV 132 |
| G. F. Händel | Messiah, HWV 56 |
| J. S. Bach
|
Mein Herze schwimmt im Blut, BWV 199 |
| J. S. Bach
|
Matthäus Passion, BWV 244 (2nd Soprano) |
| W. A. Mozart | Chi sa, chi sa, K. 582 |
| W. A. Mozart | Vado, ma dove, K.583 |
| W. A. Mozart | Exultate Jubilate |
| M. Matrinez | La Tempesta |
| L. Spohr | 6 Deutsche Lieder, Op.103 |
| F. Schubert | Der Hirt auf dem Felsen |
| R. Schumann | Frauenliebe und Leben, op.42 |
| R. Schumann | Mignon Lieder, op.98a |
| R. Schumann
|
Gedichte der Königin Maria Stuart, op. 135 |
| R. Strauss | Ophelia Lieder, op.67 |
| M. Ravel | 5 Mélodies populaires grecques |
| M. Ravel | Kaddish |
| R. Vaughan Williams | Serenade to Music (Soprano solo) |
| A. Schoenberg | 4 early songs, op. 2 |
| J. Rodrigo | 4 Madrigales Amatorios |
| F. Poulenc | Gloria (Soprano solo) |
| A. Copland | 12 poems by Emily Dickinson |
| B. Britten | English folk songs for voice and guitar |
| D. Sutton | The Bells |
| J. Bardanashvili | Ode to Sara (Select.) |
Mayan Goldenfeld
Praised by the Mannheimer Morgen, the Rheinpfalz and the Wiesbadener Kurier for both her technical and musical abilities as well as her acting skills and charming stage presence, Italian-Israeli soprano Mayan Goldenfeld recently won the Bärenreiter Prize at the Göttingen Händel Competition with her duo "Sull'onde".
Highlights of recent seasons include an engagement as second soprano soloist in Bach's St. Matthew Passion with the ensemble La Petite Bande, the title role in Stradella's La Circe, Amor and Damigella in L'incoronazione di Poppea, Sangaride in Lully's Atys, Dorilla in Hasse's La Serva Scaltra, scenes as Didone in Jommelli's Didone Abbandonata in a concert for SWR2, and Galatea in Händel's Acis and Galatea.
She is also a finalist of the Froville International Baroque Singing Competition, a concert prize winner of the Kammeroper Schloss Rheinsberg competition and has won the first prize of the Buchman-Mehta Singing Competition.
Mayan has sung under the direction of conductors such as Sigiswald Kuijken, Alexis Kossenko, Werner Ehrhardt, Michael Hofstetter and Andrea de Carlo, and on stages such as the Amsterdam Concertgebouw and the Hessisches Staatstheater. She has also participated in the Wiesbaden May Festival, the Schwetzingen Festival and the Koblenz International Guitar Festival, among others.
The soprano is a scholarship recipient of the German Orchestra Foundation, the Cini Foundation in Venice, the Friends of Opera Association in Israel, as well as the Berlin Song Festival, the Buchman-Heiman Foundation and the AICF Foundation, from which she received the Excellence Scholarship.
Mayan completed her bachelor's degree at the Buchman-Mehta School of Music with Efrat Ben-Nun and her master's degree at Brooklyn College Conservatory with Patricia McCaffrey. She took private lessons with Abbie Furmansky and is a July 2022 graduate of the first advanced performance certificate program of the Early Music Department of the Berlin University of the Arts, where she trained under the guidance of Doerthe Maria Sandmann.
artistnews
Mayan Goldenfeld sings the world premiere of At Your Doorstep
Italian-Israeli soprano Mayan Goldenfeld sings “She” in the world premiere of the chamber opera At Your Doorstep, created by South African composer Matthew MacFarlane and Swiss composer Marc L. Vogler, with a libretto and direction by Robert Lehmeier.
The opera will be simultaneously streamed in Johannesburg and Bielefeld from March 29 until April 5 at the Market Theatre in Johannesburg and Theater Bielefeld in Germany.
conitnue