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COMPOSER OPERA ROLE
C. Monteverdi L’incoronazione di Poppea Drusilla
Amor
Damigella
Valletto
F. Cavalli L’Ormindo Erice
J. B. Lully Atys Sangaride
A. Stradella La Circe Circe
A. Scarlatti Venere, Amore e Ragione Amore
G. F. Händel Acis and Galatea (HWV49a) Galatea
J. A. Hasse La Serva Scaltra Dorilla
C. W. Gluck Orfeo ed Euridice Amore
J. Haydn L’infedelta Delusa Vespina
W. A. Mozart Don Giovanni Zerlina
W. A. Mozart Die Zauberflöte Pamina
W. A. Mozart Cosi fan tutte Despina
G. Rossini Il Viaggio a Reims Madama Cortese
E. Humperdinck Hänsel und Gretel Taumännchen
Sandmann
G. Verdi La Traviata Annina
G. Verdi Rigoletto Paggio
G. Puccini Suor Angelica Suor Genovieffa
F. Poulenc Dialogues des Carmélites Soeur Constance
A. Copland The Tender Land Beth
P. Glass La Belle et la Bete Adelaide
A. Charlap King Solomon and the Bee Queen Sheba

 

CONCERT
C. Monteverdi Lamento della Ninfa
B. Strozzi Che si puo far, op.8
B. Strozzi Lagrime mie
B. Strozzi L’Eraclito amoroso
A. Scarlatti L’orfeo
M. P. de Montéclair Pan et Syrinx
L. N. Clérambault Léandre et Héro
A. Vivaldi Juditha Triumphans (as Vagaus)
G. F. Händel Armida abbandonata, HWV 105
G. F. Händel La Lucrezia, HWV 145
G. F. Händel Agrippina condotta a morire, HWV 110
G. F. Händel Mi palpita il cor, HWV 132
G. F. Händel Messiah, HWV 56
J. S. Bach

 

Mein Herze schwimmt im Blut, BWV 199
J. S. Bach

 

Matthäus Passion, BWV 244 (2nd Soprano)
W. A. Mozart Chi sa, chi sa, K. 582
W. A. Mozart Vado, ma dove, K.583
W. A. Mozart Exultate Jubilate
M. Matrinez La Tempesta
L. Spohr 6 Deutsche Lieder, Op.103
F. Schubert Der Hirt auf dem Felsen
R. Schumann Frauenliebe und Leben, op.42
R. Schumann Mignon Lieder, op.98a
R. Schumann

 

Gedichte der Königin Maria Stuart, op. 135
R. Strauss Ophelia Lieder, op.67
M. Ravel 5 Mélodies populaires grecques
M. Ravel Kaddish
R. Vaughan Williams Serenade to Music (Soprano solo)
A. Schoenberg 4 early songs, op. 2
J. Rodrigo 4 Madrigales Amatorios
F. Poulenc Gloria (Soprano solo)
A. Copland 12 poems by Emily Dickinson
B. Britten English folk songs for voice and guitar
D. Sutton The Bells
J. Bardanashvili Ode to Sara (Select.)
Repertoire

Mayan Goldenfeld

Praised by the Mannheimer Morgen, the Rheinpfalz and the Wiesbadener Kurier for both her technical and musical abilities as well as her acting skills and charming stage presence, Italian-Israeli soprano Mayan Goldenfeld recently won the Bärenreiter Prize at the Göttingen Händel Competition with her duo "Sull'onde".

Highlights of recent seasons include an engagement as second soprano soloist in Bach's St. Matthew Passion with the ensemble La Petite Bande, the title role in Stradella's La Circe, Amor and Damigella in L'incoronazione di Poppea, Sangaride in Lully's Atys, Dorilla in Hasse's La Serva Scaltra, scenes as Didone in Jommelli's Didone Abbandonata in a concert for SWR2, and Galatea in Händel's Acis and Galatea.

She is also a finalist of the Froville International Baroque Singing Competition, a concert prize winner of the Kammeroper Schloss Rheinsberg competition and has won the first prize of the Buchman-Mehta Singing Competition.

Mayan has sung under the direction of conductors such as Sigiswald Kuijken, Alexis Kossenko, Werner Ehrhardt, Michael Hofstetter and Andrea de Carlo, and on stages such as the Amsterdam Concertgebouw and the Hessisches Staatstheater. She has also participated in the Wiesbaden May Festival, the Schwetzingen Festival and the Koblenz International Guitar Festival, among others.

The soprano is a scholarship recipient of the German Orchestra Foundation, the Cini Foundation in Venice, the Friends of Opera Association in Israel, as well as the Berlin Song Festival, the Buchman-Heiman Foundation and the AICF Foundation, from which she received the Excellence Scholarship.

Mayan completed her bachelor's degree at the Buchman-Mehta School of Music with Efrat Ben-Nun and her master's degree at Brooklyn College Conservatory with Patricia McCaffrey. She took private lessons with Abbie Furmansky and is a July 2022 graduate of the first advanced performance certificate program of the Early Music Department of the Berlin University of the Arts, where she trained under the guidance of Doerthe Maria Sandmann.